I used to be seated close to the aisle of an ASKY Boeing 737, certain for Accra. With lower than two hours to go, I turned to Netflix on my cellphone to maintain myself from dozing off. I had just a few motion pictures saved, together with a brand new espionage collection, The Spy, starring Sacha Baron Cohen. Set in 1967, it recounts the occasions resulting in the Six-Day Conflict between Israel and Syria. Cohen performs an Israeli undercover agent, tasked by Mossad to infiltrate Syria’s safety and diplomatic circles. His harmful mission was to collect intelligence that would forestall Syrian assaults on Israel.
About an hour in, I used to be engrossed within the second episode. Cohen’s character was pushed by a fierce sense of responsibility, keen to die for his nation. Whereas watching, I mirrored on the worldwide communication themes that echoed by means of the present, realizing how the collection appeared to bolster the narrative of Israeli patriotism amidst the continuing Center Jap conflicts.
“Motion pictures actually are a robust software of worldwide communication,” I muttered to myself, pondering again to what I might realized throughout my worldwide communications lessons in faculty. Simply then, the pilot’s voice broke by means of the cabin, saying that we had been prepared for takeoff and reminding us to change off our gadgets. I complied shortly, as I at all times do, and reached for the in-flight journal tucked into the seat pocket in entrance of me.
ASKY, a Togolese airline intently linked with Ethiopian Airways, is among the few that flies out and in of Roberts Worldwide Airport every week. The bilingual journal (in English and French) featured tales and photographs of locations like Accra, Lagos, Abidjan, Dakar, Brazzaville, and Monrovia. Flipping by means of the pages, I discovered a ramification showcasing eight cities with pictures representing iconic options for every one–Abuja, Lagos, Accra, Abidjan, Douala, Dakar, Ouagadougou, Kinshasa, and Robertsville.
Curious, I scrutinized the photographs. Seven cities had been represented by recognizable landmarks, however “Robertsville” had me stumped. “The place’s Robertsville?” I questioned. My journalistic instincts kicked in, and very quickly, I deduced that Robertsville was seemingly a reference to Roberts Worldwide Airport. Nevertheless, the mislabeling didn’t puzzle me, however fairly the picture under it–a blurry aerial shot of West Level, Liberia’s largest slum.
As a communications pratitioner, I understood the significance of symbols in nation branding. The idea instantly jogged my memory of Liberia’s worldwide branding discussions, the place iconic options like Paris’ Eiffel Tower, New York’s Statute of Liberty, or Accra’s Independence Sq. helped form world perceptions about these cities.
However the journal representing Liberia with a picture of West Level felt like a missed alternative. As an alternative of projecting a picture that would improve Liberia’s identification, this portrayal may simply reinforce stereotypes about poverty, leaving outsiders with little impression about our stunning nation. Like each Liberian, I am conscious of the shortcomings – infrastructure and providers – however the want for nationwide branding is changing into extra palpable.
A well-crafted picture not solely attracts tourism and funding but in addition builds a rustic’s gentle energy. France, for instance, has lengthy used its cultural symbols–like the Eiffel Tower–to talk its sophistication, romance, and creativity to the world. For Egypt and its Pyramids, it is a message to italicize the wealthy historical past of the Africa nation’s civilization. Such branding helps increase tourism, appeal to overseas traders, and foster diplomatic ties. However what occurs when a rustic neglects its picture, or worse, neglect efforts to make sure unfavorable pictures are usually not projected?
Because the aircraft ascended, I discovered myself misplaced in thought. Liberia, like all nation, deserves to be seen for its full potential. Nation branding is about extra than simply landmarks; it is about shaping how the world sees you and the alternatives that notion can create.
Once I returned to the film, I attempted to juxtapose nation branding with nationalism and patriotism. The hyperlink I discovered was fairly blurry however sufficient to persuade me that international locations use movement footage to undertaking a optimistic picture past their borders.
One week later, I am again in Monrovia. Nonetheless involved about Monrovia’s poor picture within the in-flight journal, I phoned my good buddy Maelouisa Hill, the Assistant Minister for Nationwide Branding on the Ministry of Info, Tradition, and Tourism. She was equally pissed off as I used to be. I may solely surmise that branding or rebranding Liberia is an arduous job.